First-time Director Camille Griffin effectively blends humor, drama, and horror in her "Christmas movie" Silent Night.

Writer/Director Johannes Roberts gives it his all in Resident Evil: Welcome to Raccoon City, but he bites off more than he can chew.

Nia DaCosta's Candyman blends unsettling scares, a clever script, and real-world issues to form an impressive successor to the '92 original.

Leigh Janiak's Fear Street trilogy is impressive in scope, but the film series is often dull and lacking in scares.

In A Quiet Place Part II, John Krasinski has accomplished a rare feat in horror: creating a sequel on par with its predecessor.

Director Ben Wheatley makes a few questionable decisions with In the Earth, but the film's unique qualities make it worthwhile.

Them: Covenant is a powerful, important debut for Little Marvin, who skillfully tackles a difficult topic.

Evan Spiliotopoulos takes no risks in The Unholy, and the recycled horror devices lead to mediocrity.

Uninteresting dialogue and derivative filmmaking outweigh the positives in Derick Cabrido's U-Turn.

Freaky features sharp writing and solid performances, but it is not without flaws.

His House adds a few fresh ingredients to the traditional haunted house recipe.

The New Mutants is a textbook example of overcoming overwhelming odds.

As a thriller, it’s ripe with tension stemming from trauma that’s very much grounded in reality.

The guests on the island are thoroughly uninteresting characters, each with their own equally insipid backstory.

Supernatural elements aside, the film’s lack of logic is inexcusable.

While some negatives try to sink this one, the superb creature design and intense chaos keep it afloat.

Ewan McGregor is nothing short of superb as Danny Torrance.