This is arguably Rian Johnson’s best work, both from a directing and writing standpoint.

It’s painfully predictable, but still packs enough of a wallop to keep it entertaining.

Part of what this makes such an easy movie to watch is that the tale is woven in a very accessible and authentic format.

While The Good Liar does get somewhat absurd during the final act, the rest of it is enough to recommend a visit to the theater.

The script is beautifully delivered via two elite actors in Matt Damon and Christian Bale.

The few serious moments that do occur are handled beautifully and the transition from comedy to drama is seamless.

Midway survives on its strong naval and aerial battles.

Ewan McGregor is nothing short of superb as Danny Torrance.

It’s slower paced, but it’s a slow burn that pays dividends as a more deliberate trudge deeper and deeper into depravity.

It never really ratchets up enough tension, which seems virtually impossible given who and what the movie is about.

This film is as noir as they come. Everything from the music, writing, narration, and scene structure screams it.

It did a lot well, but there were departments with much left to be desired.

The violence, while infrequent, is extremely unsettling in all the right ways.

As the resident alleged hoops expert, I will now list the five best choreographed basketball movies.

No one watches a baseball movie purely for the choreography...Nevertheless, it clearly doesn't hurt.