Uninteresting dialogue and derivative filmmaking outweigh the positives in Derick Cabrido's U-Turn.

Alan Ball’s finesse as a filmmaker is on full display for much of his latest outing.

Gibson and Goggins dedicate themselves to their roles. The result is the highlight of Fatman.

Freaky features sharp writing and solid performances, but it is not without flaws.

His House adds a few fresh ingredients to the traditional haunted house recipe.

Video game adaptions have a shoddy history, to say the least. Let's take a look at why that is.

The Last Shift, Andrew Cohn’s fast-food-focused microcosm, is by and large a success.

The Devil All the Time's slow-burn approach is devilishly effective.

PG Score: 9.5/10

PG Score: 6.25/10

Tenet screams for multiple viewings but also demands mental marinating in between.

The New Mutants is a textbook example of overcoming overwhelming odds.

Unhinged is carried by a satisfyingly sinister performance from Russell Crowe.

The Way Back is first and foremost a heavy drama that puts the protagonist in the spotlight from start to finish.

As a thriller, it’s ripe with tension stemming from trauma that’s very much grounded in reality.

This is a worthy adaptation of the classic novel of the same name by Jack London.

The guests on the island are thoroughly uninteresting characters, each with their own equally insipid backstory.

It’s not without flaws, but it does enough things right to make it a win.

While the initial premise may differ from the run-of-the-mill revenge flick, it ultimately unfolds in an all too formulaic fashion.

Supernatural elements aside, the film’s lack of logic is inexcusable.