Alan Ball’s finesse as a filmmaker is on full display for much of his latest outing.

His House adds a few fresh ingredients to the traditional haunted house recipe.

Netflix's chess-themed The Queen's Gambit is a triumph for everyone involved.

The Last Shift, Andrew Cohn’s fast-food-focused microcosm, is by and large a success.

The Devil All the Time's slow-burn approach is devilishly effective.

The Way Back is first and foremost a heavy drama that puts the protagonist in the spotlight from start to finish.

This is a worthy adaptation of the classic novel of the same name by Jack London.

While the initial premise may differ from the run-of-the-mill revenge flick, it ultimately unfolds in an all too formulaic fashion.

The biggest draw of 1917 is the one-shot technique.

Part of what makes the film so impactful is its direct messaging on the plethora of issues within our justice system.

One of the biggest contributors to the success of the film is the phenomenal performance by Adam Sandler.

Ruffalo does a great job of portraying the toll it takes on his character from both a career and moral standpoint.

Daniel Kaluuya and newcomer Jodie Turner-Smith both deliver knockout performances.

This is arguably Rian Johnson’s best work, both from a directing and writing standpoint.

It’s painfully predictable, but still packs enough of a wallop to keep it entertaining.

Part of what this makes such an easy movie to watch is that the tale is woven in a very accessible and authentic format.

While The Good Liar does get somewhat absurd during the final act, the rest of it is enough to recommend a visit to the theater.

The script is beautifully delivered via two elite actors in Matt Damon and Christian Bale.

The few serious moments that do occur are handled beautifully and the transition from comedy to drama is seamless.

Midway survives on its strong naval and aerial battles.