It looks like Carmelo Anthony has finally evolved into a well-rounded player.

The chemistry between Lawrence and Smith is utterly undeniable.

While some negatives try to sink this one, the superb creature design and intense chaos keep it afloat.

The biggest draw of 1917 is the one-shot technique.

Part of what makes the film so impactful is its direct messaging on the plethora of issues within our justice system.

One of the biggest contributors to the success of the film is the phenomenal performance by Adam Sandler.

Most of the writing is pretty stale. It lacks the eloquence and humor of many of the other earlier films.

While much of the humor provides sufficient laughs, there are noticeable lapses.

Ruffalo does a great job of portraying the toll it takes on his character from both a career and moral standpoint.

Daniel Kaluuya and newcomer Jodie Turner-Smith both deliver knockout performances.

This is arguably Rian Johnson’s best work, both from a directing and writing standpoint.

It’s painfully predictable, but still packs enough of a wallop to keep it entertaining.

Part of what this makes such an easy movie to watch is that the tale is woven in a very accessible and authentic format.

While The Good Liar does get somewhat absurd during the final act, the rest of it is enough to recommend a visit to the theater.

The script is beautifully delivered via two elite actors in Matt Damon and Christian Bale.

The few serious moments that do occur are handled beautifully and the transition from comedy to drama is seamless.

I remember one of the best men I ever played for; Angel Herrera.

Midway survives on its strong naval and aerial battles.

Ewan McGregor is nothing short of superb as Danny Torrance.

It’s slower paced, but it’s a slow burn that pays dividends as a more deliberate trudge deeper and deeper into depravity.