As a thriller, it’s ripe with tension stemming from trauma that’s very much grounded in reality.

This is a worthy adaptation of the classic novel of the same name by Jack London.

The guests on the island are thoroughly uninteresting characters, each with their own equally insipid backstory.

Baseball has long realized that this stat doesn't tell you much. Not football, though.

It’s not without flaws, but it does enough things right to make it a win.

While the initial premise may differ from the run-of-the-mill revenge flick, it ultimately unfolds in an all too formulaic fashion.

Supernatural elements aside, the film’s lack of logic is inexcusable.

Fans of Ritchie will immediately recognize the style employed here and undoubtedly breathe a sigh of relief seeing him return to his roots.

It looks like Carmelo Anthony has finally evolved into a well-rounded player.

The chemistry between Lawrence and Smith is utterly undeniable.

While some negatives try to sink this one, the superb creature design and intense chaos keep it afloat.

The biggest draw of 1917 is the one-shot technique.

Part of what makes the film so impactful is its direct messaging on the plethora of issues within our justice system.

One of the biggest contributors to the success of the film is the phenomenal performance by Adam Sandler.

Most of the writing is pretty stale. It lacks the eloquence and humor of many of the other earlier films.

While much of the humor provides sufficient laughs, there are noticeable lapses.

Ruffalo does a great job of portraying the toll it takes on his character from both a career and moral standpoint.

Daniel Kaluuya and newcomer Jodie Turner-Smith both deliver knockout performances.

This is arguably Rian Johnson’s best work, both from a directing and writing standpoint.

It’s painfully predictable, but still packs enough of a wallop to keep it entertaining.