Minari does not have the best ending, but Lee Isaac Chung's emotional, impactful film still bears fruit.

Judas and the Black Messiah forcefully addresses its subject matter behind powerful performances and strong direction.

Viggo Mortensen makes a bold entrance in his directorial debut, but Falling is a bit repetitive.

John Lee Hancock wastes some of the potential of his cast, but The Little Things is still a compelling murder-mystery.

Our Friend has a timeline issue, but the film thrives on incredible acting and raw emotion.

The James Harden blockbuster trade could have several major positives and negatives for the Brooklyn Nets.

Outside the Wire has an interesting premise and breathtaking action, but a muddled plot and flat acting holds it back.

Herself is a powerful spotlight piece backed by a breakout performance from Clare Dunne.

Tony Parker: The Final Shot provides a quality depiction of the French phenom's career, but it is not the complete package.

Director Paul Greengrass and Tom Hanks complement each other well in Hanks' first Western.

The 2020-2021 NBA season will be interesting, to say the least.

Talented actors and stunning visuals are wasted by fundamental filmmaking flaws.

Paul W.S. Anderson takes another stab at a video game-film adaptation. It once again does not work.

It will be very difficult to move James Harden, but he makes sense on a few teams in particular.

One specific aspect of Barry Bonds rarely gets brought up. I'm not sure why.

Darius Marder's impressive directorial debut blends intense drama with unparalleled audience immersion.

Uninteresting dialogue and derivative filmmaking outweigh the positives in Derick Cabrido's U-Turn.

Alan Ball’s finesse as a filmmaker is on full display for much of his latest outing.

Gibson and Goggins dedicate themselves to their roles. The result is the highlight of Fatman.

Freaky features sharp writing and solid performances, but it is not without flaws.