Director Ben Wheatley makes a few questionable decisions with In the Earth, but the film's unique qualities make it worthwhile.

Them: Covenant is a powerful, important debut for Little Marvin, who skillfully tackles a difficult topic.

Evan Spiliotopoulos takes no risks in The Unholy, and the recycled horror devices lead to mediocrity.

Adam Wingard's Godzilla vs. Kong is a little light on storytelling, but its stunning sights and sounds make it worth the watch.

Though The Courier occasionally loses steam, Director Dominic Cooke does a commendable job bringing this riveting true story to cinema.

Joel Betancourt does it all in Always a Grind. He produces some funny moments, but the film struggles in several areas.

Brilliant visuals and fresh storytelling make Raya and the Last Dragon a huge success for Disney.

Biggie: I Got a Story to Tell provides an intimate look at the rapper's life both on and off the stage.

Minari does not have the best ending, but Lee Isaac Chung's emotional, impactful film still bears fruit.

Judas and the Black Messiah forcefully addresses its subject matter behind powerful performances and strong direction.

Viggo Mortensen makes a bold entrance in his directorial debut, but Falling is a bit repetitive.

John Lee Hancock wastes some of the potential of his cast, but The Little Things is still a compelling murder-mystery.

Our Friend has a timeline issue, but the film thrives on incredible acting and raw emotion.

Outside the Wire has an interesting premise and breathtaking action, but a muddled plot and flat acting holds it back.

Herself is a powerful spotlight piece backed by a breakout performance from Clare Dunne.

Tony Parker: The Final Shot provides a quality depiction of the French phenom's career, but it is not the complete package.

Director Paul Greengrass and Tom Hanks complement each other well in Hanks' first Western.

Talented actors and stunning visuals are wasted by fundamental filmmaking flaws.

Paul W.S. Anderson takes another stab at a video game-film adaptation. It once again does not work.

Darius Marder's impressive directorial debut blends intense drama with unparalleled audience immersion.