Gibson and Goggins dedicate themselves to their roles. The result is the highlight of Fatman.

Freaky features sharp writing and solid performances, but it is not without flaws.

The Last Shift, Andrew Cohn’s fast-food-focused microcosm, is by and large a success.

Fans of Ritchie will immediately recognize the style employed here and undoubtedly breathe a sigh of relief seeing him return to his roots.

The chemistry between Lawrence and Smith is utterly undeniable.

While much of the humor provides sufficient laughs, there are noticeable lapses.

This is arguably Rian Johnson’s best work, both from a directing and writing standpoint.

The few serious moments that do occur are handled beautifully and the transition from comedy to drama is seamless.